Michael Kessus Gedalyovich(from the exhibition catalogue 2002)
First translation and then an interpretation, any writing about art is somewhat absurd. This notion, which I basically believe, applies first and foremost to abstract art, which by its very definition has removed itself as far as possible from narrative, in order to appropriate a new, uncharted territory.
ON THE FABRIC OF HORIZON IN THE PAINTINGS OF NIMROD KOREN FROM THE CATALOGUE ACCOMPANYING AN EXHIBITION AT THE ARTIST'S RESIDENCE GALLERY, HERZLIYA, 2002
Peter Lievaart
Anticipating and sensing the fully exposed propinquity of a particular light and space in the exhibited paintings of Nimrod Koren, I am quite tempted to think that it didn't come out of the proverbial blue but heralded itself, even before he moved to Tel Aviv (1997), in the larger and darker canvases of the early- and mid-1990's painted in Amsterdam.